FIRST TIME @ Oak Street Cinema

Well, we shot it and we got our long waited equipment. A pair of two bank four foot Kino Flo lamps with both 3200k and 5600k bulbs. MMMmmm boosted daylight. Also, the c-stands with arms to put 'em on as well as a few other goodies. The shoot went super smooth and fast. By the time we wrapped we had over 14 hours to edit and submit the final film. It went just like Stienberg said best "#@%&!$ butter!". Come check out the final product live at the Oak Street Cinema! Info below, look forward to seeing you all at the screening.

FIRST TIME

WHO: Standby Productions

WHAT: The 24 Hour Film Race Screenings

WHERE: Oak Street Cinema [309 Oak Street S.E. Minneapolis, MN]

WHY: We made a film and submitted it on time, first to be exact.

WHEN: Wednesday, March 31 at 7pm

HOW: Nine bucks gets you in to the show, and then drinks over at Stub and Herbs afterwards.

Nulla Dies Sine Linea

Film Racing, Lap Two

Well once again with spring comes special time of year, when Film Racing returns to Minneapolis, Minnesota!



The clock begins at 10pm tonight [Friday], and by 10pm on Saturday we must turn in a finalized film to the folks at Bryant Lake Bowl [the drop-off] The submissions that meet the criteria in terms of the theme and surprise element given to us on Friday and are on time are then shown at the Oak Street Cinema on March 31st. I look forward to Clayton Ebeling's competitive film Directorial debut! She's a rewarding and humbling beast to say the least, and Lord knows I love her so for that. High risk, high reward. Camera Speeds!





Peep the link to check out some pics Sergio Rapu from Minnewood.com took during our first lap last year.

Caught a few flicks the Shaw Brothers classic and believed lost House of Traps starring the legendary Deadly Venoms, and it was simply amazing and awe inspiring in terms of it use of it's sets and action. Story is none to bad itself I may add. Also, Kindergarten Cop, Larry Bishop's Hell Ride, and The Men Who Stare at Goats. The makeup is ordered, and things are looking very nice on the Gone to the Undead front. More news and info very soon, but I got a race to get to tonight. We're using a pair of Panasonic AG-HPX170's, one of which is going to be on a Libec jib arm and dolly system. Should get us some butter in the next few hours. Looks like Director of Photography Joseph Young, Technical Editor Daniel Stienberg, and I have some work ahead of us. I love it, I need it. I hear my old mistress calling once again. I must answer.

Ad Vitam Aut Culpam

"We're paratroopers, Lieutenant. We're supposed to be surrounded."

This past Sunday and Wednesday I helped out on two music videos. First was Them Damned Young Livers and we literally tore down the house, or at least helped it along. The house is to be tore down soon to make parking lot space for get this the Schroeder Bar & Grill in Saint Paul off Dale Street. It was a party / show that we just happen to recored and have the chance to light. Good times, hell yeah! With Wednesday came Muja Messiah and his joint which was all shot in studio at MCAD and was a nice change of tempo and pace. The lighting was mint and the song was bangin'. I can't wait to see both of these videos, and yes for all you to see them too.

Made some time for a few features including Bandidas staring Salma Hayek and Penélope Cruz, Armored, and lastly the Robert Townsend and James Earl Jones classic The Meteor Man. Next Friday is the Minneapolis 24-Hour Film Race! I can't wait to see what happens in these always spontaneous, exciting, and rewarding challenges. I learn so much in such a short span of time. As Mortal Kombat 3 taught me knowledge is power, and that game blew. Two very important things to remember.

Lastly, a little something I put together for my friend and stand-up comedian Jon Sadeh. It's his March 2nd performance at the House of Comedy Mall of America Comedy Club. Peep, and enjoy boys and girls.

Zoobas for the Zoo


Sine Scientia Ars Nihil Est

Strike Anywhere - I'm Your Opposite Number [Music Video]

Music video for the band Strike Anywhere off their new LP Iron Front. I worked on it last Fall as a Production Assistant and fill-in Grip when needed.

Basically, I made sure all the fans were over the age of eighteen and then made them sign a wavier for the record company. Other than that I helped set up the staging and such, namely putting together the work lights you see on stage with the band. Also, grabbing sub sandwiches for band and crew, and for lead singer Thomas Barnett a much needed toothbrush.



On the production side of things. Director: Justin Staggs, Director of Photoprahy: Randy Smith, additional camera work: Andrew Melby, Gaffing and Gripping: Kristina Harris and Ben Thompson. Special Thanks to El Perdido for the awesome painting in the intro. Kelly and his puppy with Lost Staging, Jennifer Staggs for the craft services, Taylor Sound, Bridge Nine Records, and Gopher Towing for the location.

On the personal viewing habits front. Saw the new DiCaprio and Scorsese flick Shutter Island, and it was a'ight. Black Gestapo, as well as The Boondock Saints II: All Saints Day, you tell me which one is more exploitive. Jeez. To clean things up a bit watched the Hitchcock classic The Birds, Ong Bak 2: The Beginning, The Wackness, and I've been playing some Final Fantasy XIII as on the side. Today was awesome here in Minneapolis, spring seems to have sprung! Only some forty-two days 'till some Super Street Fighter IV action, and even less to the Twins season/ballpark opener. Twenty-seven days! Can't wait, ok I can, and so will all of you 'till my next post. Stay tuned.


Labore Et Honore

"Aw, a Fellow Chucker, Eh?"

"Looked like sort of a big turtle, in a trench coat."

Ever since I saw Raphael roll over that cab along with the rest of the trailer for the first Teenage Mutant Ninja Turtles movie way back in 1990 I was hooked on film. Several other films added to this endeavour over the years, but it all started with those heroes in a half shell some twenty years ago. Mutant turtles, a young boy, and a Burger King Kids Club VHS the dream is born.

"Can anyone tell me who or what this is? Don't know, but I bet it never has to look for a can-opener."



At the age of five when I first saw the trailer for the film I was convinced the turtles where not just a cartoon as I previously thought. They were real! Indeed, in a way they were real. Physically they existed outside of a computer tower and monitor. Sure, they were men is suits circa Gojira, but they were on set to interact with the actors in every scene. NO RENDERING NEEDED. Why can't it be done practically on shooting day(s) with the other players? The move away from this has given us some performances that leave much to be desired. Namely, a lack in believability in most cases. Looking at green dots in terror just doesn't come across well most of the time. Sorry, Miss Fox. Hello, Mister, Hamill.

I've said it before, and I'll write it here. My goal as a filmmaker is to due the same to this and future generations of youth. Leave an impression on them to the same effect. Using real effects whenever possible. It's real and thus comes off more so on celluloid or in our case still mini dv tapes. Working on changing that, folks. With the magic of film, and a little ingenuity, pride, effort, and a bit of luck anything is possible. Anything and everything. Ask, James.



Been watching a lot of films as well as working on finalizing the script for Gone to the Undead. Peep the link to read the blog for the film. Spent this last weekend watching the live-action Teenage Mutant Ninja Turtles trilogy. Radical!

Best wishes to Avatar tonight at the Academy Awards. I feel in my heart of hearts it is due the Best Animated Feature award!

"Hey, didn't they use this place in The Grapes of Wrath?"

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